Join the Mailing List to receive advance information about Jeff’s new books and signings. Join now and you will be able to read “Fear,” an original essay/short story by Jeff about fear in writing suspense.

The Cutting Edge Excerpt

“Is it safe?”

He considered this briefly. “Safe? Why wouldn’t it be safe?”

“I’m just saying. It’s kind of deserted.” The woman looked around the poorly lit, shabby lobby, the floor ancient linoleum so worn it looked sanded down. They were the only ones here, standing before the elevator. The building was smack in the middle of the Diamond District in Midtown Manhattan. Because it was Saturday, the Jewish Sabbath, many stores and companies were closed. The March wind hissed and moaned.

William, her fiancé, said, “I think we’re good. Only partially haunted.”

She smiled but the expression vanished fast.

Deserted, yes, William thought. And gloomy. Typical of Midtown offices built in the, who knew? Thirties? Forties? But hardly unsafe.

Though not very efficient. Where was the elevator? Damn it.

William said, “Don’t worry. Not like the South Bronx.”

Anna chided gently, “You’ve never been to the South Bronx.”

“Went to a Yankees game.” He’d once commuted through the South Bronx, and for some years, too. But didn’t mention that.

From behind the thick metallic doors, gears ground and pulleys pulled. The soundtrack was creaks and squeals.

The elevator. Now, that might not be safe. But the odds of getting Anna to walk up three flights of stairs were nonexistent. His fiancée, broad-shouldered, blond and pert, was in great shape, thanks to the health club and her charming obsession with the devil-red Fitbit. It wasn’t the exertion that she objected to, with that wonderful wry glance; it was, as she’d once said, girls don’t do stairs in buildings like this.

Even on joyous errands like this.

Practicality raised its head—yet again. “Are you sure this is a good idea, Billy?”

He was prepared. “Of course it is.”

“It’s so expensive!”

True, it was. But William had done his homework and knew he was getting quality for the sixteen thousand dollars. The rock that Mr. Patel was mounting in the white-gold setting for Anna’s pretty finger was a one-point-five-carat princess cut, F, which meant virtually colorless, very close to the ideal D. The stone was graded nearly flawless—IF, meaning there were only some minor flaws (Mr. Patel had explained they were called “inclusions”) detectible only to an expert under magnification. It wasn’t perfect and it wasn’t huge but it was a magnificent piece of carbon that, through Mr. Patel’s eye loupe, took your breath away.

Most important, Anna loved it.

William came very close to saying, You only get married once. But, thank you, Lord, stopped short. Because while that was true in her case, it was not in his. Anna didn’t mind his past, or didn’t offer any evidence that she minded, but it was best not to bring up the topic (hence, editing out the story about the five years of commuting to Westchester).

Where the hell was that elevator?

William Sloane pressed the button again, though it was already illuminated. And they laughed at the pointless gesture.

Behind them the door to the street opened and a man walked in. At first he was just a shadow, backlit through the greasy glass of the door. William felt a moment’s unease.

Is this safe…?

Maybe he’d been a little quick with the reassurance some minutes before. He and Anna would be walking out in ten minutes with a house down payment on her finger. He looked around and was troubled to see there were no security cameras down here.

But the man walked closer and offered a pleasant smile and nod, then returned to reading his texts. He had pale skin, wearing a dark jacket and knit stocking cap, carrying cloth gloves—all necessary accessories on this unusually frosty March day. An attaché case too. He’d work in the building…or maybe was picking up a ring for his fiancée at Patel’s too. No threat. Still, William—a health-club and Fitbit aficionado himself—was in top form and could take down a guy of this size. A fantasy that, he supposed, every man engaged in every so often.

Finally, the elevator arrived and the doors squealed open. They got in and the man gestured to the couple to enter first.

“Please.” An accented voice. William couldn’t place the nationality.

“Thank you,” Anna said.

A nod.

At the third floor, the door opened and the man again gestured with his palm. William nodded in response and he and Anna continued toward Patel Designs, at the end of the long, dim hallway.

Jatin Patel was an interesting man, an immigrant from Surat, western Indian, the diamond-polishing center of that country—and of the world, now. When the couple had been here some weeks ago, placing their order, Patel had chatted away, explaining that the vast bulk of gem-quality diamond polishing was done there, in boiler rooms—tiny factories like apartment buildings, hot and filthy, with terrible ventilation. Only the best diamonds were cut in New York or in Antwerp or Israel anymore. Because of his skill, he’d risen above the pack of cutters—thousands of them in Surat—and managed to save enough money to come to the United States and open a shop.

He sold jewelry and diamonds retail—the soon-to-be-Sloanes, for instance—but he was best known for his cutting of high-end diamonds from raw stones.

On that earlier visit William had been fascinated to learn about the diamond trade, fascinated too that Patel would, from time to time, grow coy and steer the conversation away from William’s innocent questions. He supposed the diamond world was a shadowy, secretive place in many ways. Look at blood diamonds—those mined in Africa by warlords and terrorists, who used the profits to finance their horrific crimes. (The princess cut William was buying came with a guarantee that it had been ethically mined. William, though, couldn’t help but wonder how true that was. After all, was the broccoli he’d steamed last night truly organic, as the placard at Fresh Market promised?)

He was aware that the man who’d accompanied them in the elevator had stopped at a door just before Patel’s and was hitting the intercom.

So he was legit.

William chided himself for his concern and pressed the button for Patel Designs. Through the speaker came: “Yes? Who is there? Mr. Sloane?”

“Yes, it’s us.”

There was a click of the door and they stepped in.

It was at that moment that a thought struck William Sloane. As in many old-time buildings, the doors to all of the businesses on this floor had transoms above them—horizontal glass panels. Here they were covered with thick bars, for security. The one above Patel’s door glowed, revealing lights inside. But the transom next door—the one the man from the elevator had stopped at—was dark.

That business was closed.

No!

A sudden rush of footsteps behind them and, gasping, William turned to see the man, now with his head covered by a ski mask, charge toward them. He shoved them into the small room, where Patel sat behind a counter. The intruder moved so fast that Anna was knocked off her feet and fell hard, screaming. William turned but froze as the man pointed a gun his way—a black pistol.

“Jesus, no! Please!”

Despite his age, and paunchy midsection, Jatin Patel rose fast, reaching for what must have been a panic button. He didn’t get close. The man lunged forward and, reaching over the counter, slammed the pistol into his face. There was a horrific sound. William could hear the snap of bone under the impact.

The diamond dealer screamed. Patel, whose complexion was grayish all the time, grew grayer yet.

“Look,” William said, “I can get you money. You can have our ring.”

“Take it!” Anna said. Then to Patel: “Give it to him. Give him whatever he wants.”

Drawing back his gloved hand, still holding the gun, he swung it forward into Patel’s face again and again. Crying out, begging for him to stop, Patel slumped helpless to the floor, muttering, “I can get you money! Lots of money! Whatever you want! Please, please stop.”

“Leave him alone,” Anna cried.

“Quiet!” The man was looking around the room. A fast glance to the ceiling. There was a video camera pointing down toward them. Then he was studying the counter, the desk behind it and several dim rooms in the back.

With one hand toward the gunman, palm out, to reassure that he was no threat, William stepped closer to Anna. His arm went around his fiancée’s waist and he helped her up. He could feel her trembling.

The robber ripped a light cord from the wall. He extracted a box cutter—a utility knife—from his pocket and pressed the razor blade out with his thumb. Setting down the gun, he cut the wire into two lengthy pieces. He handed one to Anna. “Tie his hands.” Nodding at William. That accent again. European? Scandinavian?

“Do it,” William told her gently. “It’s okay.” He added in a whisper, “He could have shot us. He doesn’t want that. Tie my wrists.”

“Tight.”

“Yes, she will.”

With shaking hands, she did.

“Lie down.”

William eased to the floor.

Of course, he’d get the main threat out of the way—him. Then, glancing at Patel, the burglar bound Anna’s wrists and shoved her to the floor beside William, back to back

A chilling thought, cold as a winter stream, cut through him. William realized that the intruder had put the mask on before going into the store, to hide his face from the cameras.

But he hadn’t worn it before. Because he needed some customers to get him through the door of Patel’s. He’d probably been waiting for a couple to follow to a company that seemed like a good target for a robbery.

The security camera in Patel’s would have no recording of his features.

But William and Anna could describe him.

And that meant only one thing: The robber had tied them up so they wouldn’t fight back when he killed them.

The man now stepped close, standing over them, looking down.

“Look, please…”

“Shhhhh.”

William prayed, If it has to happen, let him shoot us. It’ll be fast, painless. He managed a look, twisting his head hard upward. And saw that the man had left the gun on the counter.

The gunman crouched over them, gripping the knife.

William’s back was still facing Anna’s and, sobbing, he stretched his hand out as far as he could. It found hers. He wondered if it was her left one and if the finger he was caressing now was the one that had come so close to being graced by the princess-cut, one-point-five-carat diamond, only slightly flawed and nearly colorless.

 

♦ ♦ ♦

 

He had not returned to the city in time.

To his disappointment.

Lincoln Rhyme directed his Merits Vision wheelchair—gray with red fenders—through the front door of his Central Park West town house. Someone had once remarked that the place brought to mind Sherlock Holmes—in two senses: First, the ancient brownstone would have fit nicely in Victorian England (it dated to that era), and second, the front parlor was filled with enough forensic instruments and equipment to awe the British consulting detective to his core.

Rhyme paused in the entryway to wait for Thom, his trim, muscular caregiver, who’d parked the disabled-accessible Mercedes Sprinter in the cul-de-sac behind the town house. Feeling the cold breeze upon his cheek, Rhyme turned the chair and bumped the door partly closed. It blew back open. A quadriplegic, paralyzed from the neck down, he was quite adept at the high-tech accessories of those with hampered bodies: the touchpads, eye and voice recognition systems, prosthetics and the like. And surgery and implants had given him some control over his right arm. But many old-fashioned mechanical tasks, from closing doors to—oh, picking a random example—opening bottles of single-malt scotch, remained, literally, out of reach.

Thom arrived a moment later and closed the door. He removed Rhyme’s jacket—he refused to “wear” a blanket for warmth—and peeled off to the kitchen.

“Lunch?”

“No.”

The aide called back, “Phrased that wrong. I meant, what would you like?”

“Nothing.”

“Not the correct answer.”

“I’m not hungry,” Rhyme muttered. He clumsily picked up the remote for the TV. And turned on the news.

Thom called, “You need to eat. Soup. Cold day. Soup.”

Rhyme grimaced. His condition was serious, yes, and certain things like pressure on the skin or unrelieved bodily functions could have dangerous consequences. But hunger was not a potential risk factor.

The aide was such a goddamn mother hen.

After a few moments Rhyme smelled something aromatic. Thom did make pretty good soup.

He turned his attention to the television, which he rarely watched. Usually, it was to follow a particular news story, which is what he now wished to do: a story related to the disappointment created by his trip to Washington, DC, the place from which he and Sachs had just returned.

The station that had crinkled up on screen wasn’t twenty-four-hour news but a documentary network. Airing presently was a true crime show, though it seemed dramatized. The villain glared. The detectives looked thoughtful. The music flared. The crime scene officer wore a wristwatch outside his glove at the scene.

Jesus Christ.

“Were you watching this crap?” he shouted to Thom.

No reply.

Punching buttons, he found a network news channel. At the moment, though, there was no news, only commercials for prescription medicines. He didn’t have a clue what the medications did, except turn the actors from somber old grandparents into happy less-old grandparents, frolicking with young’uns in the final scene, their can’t-play-with-the-young’uns malady cured.

Then an anchor appeared and after some local news, political in nature, the story he was interested in popped up briefly: It was the account of a trial, presently under way in the Eastern District of New York. A Mexican drug lord, Eduardo Capilla, better known as El Halcon, had made the mistake of coming into the United States to meet with a local organized crime figure in the metro area and set up a narcotics and money-laundering network, along with a bit of underaged prostitution and human smuggling.

The Mexican was pretty sharp. Although he was a billionaire several times over, he’d flown commercial, coach, to Canada, entering legally. He’d then taken a private plane to an airstrip close to the border. From there he’d flown in a helicopter—illegally—to a deserted airport on Long Island, staying—in the literal sense—under the radar. The airport was a few miles from a warehouse complex that he was going to buy and, it was speculated, turn into the headquarters for his U.S. operation.

Police and the FBI learned of his presence, though, and agents and officers intercepted him there. A shoot-out ensued, resulting in the death of the warehouse owner, along with his bodyguard. A police officer was severely injured and an FBI agent wounded, as well.

El Halcon was arrested but, to the dismay of prosecutors, his American partner, with whom he’d hoped to build a drug empire, wasn’t present and his identity was never discovered; the apparent warehouse owner—the man killed in the shoot-out—was probably a figurehead. No amount of digging could reveal the true U.S. contact.

Lincoln Rhyme had so wanted a piece of the case. He’d hoped to analyze the evidence and provide expert forensic testimony at trial. But he’d committed to meet with a half-dozen senior officials in Washington, DC, and so he and Sachs had spent the week down there.

Disappointed, yes. He’d really wanted to help send El Halcon away. But there’d be other cases.

Coincidentally, just at that thought, his phone hummed and displayed a caller ID that suggested there might be one in the offing.

“Lon,” Rhyme said.

“Linc. You back?”

“I’m back. You have something knotty for me? You have something interesting? Something challenging?”

Detective First Lon Sellitto had been Rhyme’s partner years ago, when Rhyme was NYPD, but they socialized only rarely now and never just called each other up to chat. Phone calls from Sellitto usually only happened when he needed help on a case.

“Dunno if it’s any of the above. But I got a question.” The detective seemed out of breath. Maybe an urgent mission, maybe he was walking back from the grocery store with a box of pastry.

“And?”

“Whatta you know about diamonds?”

“Diamonds…Hm. Let me think. I know they’re allotropes.”

“They’re what?”

“Allotrope. It’s an element—as in chemical element—that exists in more than one form. Carbon is a perfect example. A superstar, in the world of elements, as I think even you know.”

“Even me,” Sellitto grunted.

“Carbon can be graphene, fullerene, graphite or diamond. Depends on how the atoms are bonded. Graphite is a hexagonal lattice, diamonds are tetrahedral lattice. Small thing, it seems. But it makes the difference between a pencil and the Crown Jewels.”

“Linc. I’m sorry I asked. Should’ve tried this: You ever run a case in the Diamond District?”

Rhyme thought back to his years as detective, as captain running the crime scene operation of the NYPD and, later, as consultant. Some cases had touched on the 47th Street area, Midtown. But none involved diamond stores or dealers. He told Sellitto as much.

“We could use some help. Robbery gone bad, looks like. Multiple homicides.” A pause. “Some other shit too.”

Not a term of art in the crime-solving world, Rhyme reflected. He was curious.

“You interested?”

Since the El Halcon case had slipped away from him, the answer was yes. “How soon can you get here?” Rhyme asked.

“Let me in.”

“What?”

Rhyme heard a pounding from the front hall. Through the phone Sellitto was saying, “I’m here. I’m outside. I was gonna talk you into the case whether you wanted it or not. Come on, open the goddamn door. It’s like January out here.”

–

The Burial Hour Reviews

“Misdirection and plot twists abound, and the novel’s theme (the European immigrant problem) feels, given recent events in American politics, timely and relevant. Another strong entry from the always-reliable Deaver.”
―Booklist

“Jeffery Deaver’s forte is the diabolical puzzle mystery, and THE BURIAL HOUR is so devilishly tricky you can practically smell the sulfur fumes… In a bold plot twist, Deaver folds Rhyme’s inquiries into a broader investigation of a humanitarian challenge shared by the whole world. Takes guts, that does.”
―Marilyn Stasio, New York Times Book Review

“Deaver is a master of plot twists, and they are abundant in this story that keeps the reader guessing about who can be trusted and what’s behind the motivations of the abductor. Putting Rhyme and Sachs in unknown territory showcases a different side of their characters. Making them jump through hoops to keep international peace gives the story an extra edge. …essential for fans of the franchise.”
― Jeff Ayers, Associated Press

“Deaver, who is a master of surprises, once again delivers an overflowing basketful of them—enough for two novels, with more to spare—while hinting at a possible new direction for Rhyme and Amelia Sachs, his partner on and off the crime scene.”
― Joe Hartlaub, BookReporter.com

“THE BURIAL HOUR proves once again Jeffery Deaver is a brilliantly intricate novelist …In THE BURIAL HOUR Deaver combines drama, romance and comedy. It is mostly drama but the slight addition of romance and comedy makes for even more reading enjoyment. There is a very short list of authors who can weave all three of these elements into a suspense tale and Deaver is at the top of that list.”
― Jackie K. Cooper, Huffington Post

“The Burial Hour hurtles along at breakneck speed with complex and engaging characters, plots and subplots and lots of wry humour.”
― Startsat60.com

“There could be no better narrator for this audiobook than Edoardo Ballerini.”
―AudioFile, audiobook review

A Note From Jeff

The Burial Hour: Not Your Average Music Video

Ernest Hemingway said, more or less: If you want to send a message, go to Western Union (today, he might say instead: Send a Tweet or put a post on Facebook, though the image of Papa thumbing a smartphone is jarring, to put it mildly). His point: A novelist’s job is to tell a story, not to preach. But you only have to read one of his novels to deduce his true meaning: While proselytizing is an untrue arrow in a writer’s quiver, a novel can, and should, legitimately examine important topics.

Just don’t shout at your readers when you do so.

Which brings me to The Burial Hour, my latest Lincoln Rhyme thriller.

The book opens with a psychotic kidnapper, obsessed with the sense of sound in all its forms (he has gigabytes in his .mp3 collection–from screams to sobbing to bird songs). He snatches a victim from the streets of New York and posts a horrific video: the victim about to be hanged on an improvised gallows, the soundtrack a waltz featuring the victim’s own slowing heartbeat as the bass line. He dubs himself the “Composer.”

Learning of the kidnapping, Rhyme, Amelia Sachs and the crew you’re now familiar with begin a race against the clock to find the victim before he dies.

Yes, a typically cheerful (!) opening of a Jeffery Deaver novel . . .

But then, enter Western Union.

Like most of the rest of the world, I’ve been aware of the various refugee and immigrant crises in the news, their genesis the political unrest and climatic and economic disasters in the Middle East and Africa. After some research, I decided this catastrophe was a theme that could be woven into the book.

Accordingly, The Burial Hour promptly scoots Rhyme, Sachs and ever-loyal Thom to Italy, a country that’s been hit hard by the refugee influx.

Staying true to Papa Hemingway, I don’t lecture about what is or is not the correct approach to immigration and asylum seeking, but I raise questions that you might want to think about. I’ve often said that one mark of good book is that it’s not truly over when you finish reading the last page; it’s just beginning.

This is what I’ve tried to do with The Burial Hour–write a book that will stay with you for some time.

Now, in case you’re thinking the thriller is an op-ed piece, don’t panic. You can rest assured that it’s indeed a typical Deaver tale, calculated to keep you in suspense for the entire read. It takes place over only a few days, features dozens of plot reversals and offers up three surprise endings. Along the way we meet a number of characters, who are quirky and compelling, good and reprehensible (my personal favorites). They include prosecutors, refugee aid workers, immigrants, police officers and criminals–organized and otherwise.

And don’t forget about the Composer, who continues to refine his hobby of kidnapping victims and recording their gasps, heartbeats and groans to fit into his macabre music videos.

Of course, what would a Lincoln Rhyme/Amelia Sachs novel be without a subplot dealing with their personal stories? The Burial Hour offers one of those as well. As for what it might be, all I’ll say is that I’ve gotten a lot of mail asking me whether or not the couple will ever, in fact, marry.

I can’t help but note that Italy would be a wonderful place to get hitched.

I’d say more, but, sorry. Did I mention my love of keeping you in suspense?

– JD

Do You Really Trust Your Refrigerator?

We hear a lot about life imitating art and vice versa, and I certainly have kept my finger on the pulse of current events to look for topics that I can use to scare the socks off my readers. But even I was surprised to hear about the recent cyberattack on Dyn—the internet gatekeeping company—which resulted in a stoppage of Netflix, Twitter and a number of other companies.

Why was I surprised? Because this is what my novel The Steel Kiss is all about.

The Dyn incident was a DDOS attack— “Distributed Denial of Service.” Hackers long ago figured out that flooding a website with repeated requested to log in could bring the site down. The best way to do this was to hijack thousands of personal computers—like yours and mine—and have them send log-in requests to target sites, without the users even knowing they were doing so. But internet security folks found ways to block such attempts. Part of the joy (?) of hacking, however, is trying to outguess the good guys. So when personal computers became too tough to enlist for DDOS attacks, hackers came up with a new solution: The Internet of Things.

These are the millions of smart products that we are increasingly relying on: home security, heating and air condition systems, baby monitors, DVRs, cameras, refrigerators, ovens, water heaters, vehicles . . .  and thousands of other internet-enabled products, many of which have antiquated and porous security systems—much of the software is based on such operating systems as Windows Vista (remember that? If not ask your parents.).

The Dyn attacks involved hacking into millions of these products, which in turn flooded the company with log-in attempts, far exceeding the capacity of existing security measures to block.

In The Steel Kiss, my latest Lincoln Rhyme novel, the killer has managed to hack into a variety of Internet of Things products—escalators, ranges, microwaves, automobiles—and turn them into weapons. (Go ahead, take that shower. How likely is it somebody has hacked into your water heater and turned the temperature up to 200 degrees? Not very. . . . Probably.)

This novel is the fourth in my “high-tech quartet,” four thrillers that center around threats in our everyday lives caused by computers and the internet. The first was The Blue Nowhere, set in 1999, about a psychotic hacker (he used dial-up modems; remember those?). Then there was Roadside Crosses, a Kathryn Dance novel, about cyber-bullying and using blogs that purported to be news sites to post false information to attack political and corporate opponents (sound familiar?). After that was The Broken Window, a Lincoln Rhyme novel in which the victims’ lives were destroyed by identity theft and data-mining (sure, you save some money with those loyalty cards at your local grocery story, but you do know what they do with your information, don’t you?). And finally, The Steel Kiss.

Interestingly, I had planned to write only a high-tech thriller trilogy, but when I learned about the dangers of the Internet of Things, I decided to make it a quartet.

I suspect that I’ll open the newspaper in a few months and read about some new threat, concluding I need expand my opus to a quintet, and after that perhaps even . . . well, whatever six books in a series might be called.

– Jeffery Deaver

The Burial Hour Excerpt

“Mommy.”

“In a minute.”

They trooped doggedly along the quiet street on the Upper East Side, the sun low this cool autumn morning. Red leaves, yellow leaves spiraled from sparse branches.

Mother and daughter, burdened with the baggage that children now carted to school.

In my day . . .

Claire was texting furiously. Her housekeeper had—wouldn’t you know it?—gotten sick, no, possibly gotten sick, on the day of the dinner party! The party. And Alan had to work late. Possibly had to work late.

As if I could ever count on him anyway.

Ding.

The response from her friend:

Sorry, Carmellas busy tnight.

Jesus. A tearful emoji accompanied the missive. Why not type the Goddamn “o” in “tonight”? Did it save you a precious millisecond? And remember apostrophes?

“But, Mommy . . .” A nine-year-old sing-songy tone.

“A minute, Morgynn. You heard me.” Claire’s voice was a benign monotone. Not the least angry, not the least peeved or piqued. Thinking of the weekly sessions: sitting in the chair, not lying back on the couch—the good doctor didn’t even have a couch in his, office—Claire attacked her nemeses, the anger and impatience, and she had studiously worked to avoid snapping or shouting when her daughter was annoying (even when she behaved that way intentionally, which, Claire calculated, was easily one quarter of the girl’s waking hours).

And I’m doing a damn good job of keeping a lid on it.

Reasonable. Mature. “A minute,” she repeated, sensing the girl was about to speak.

Claire slowed to a stop, flipping through her phone’s address book, lost in the maelstrom of approaching disaster. It was early but the day would vanish fast and the party would be on her like a nearby Uber. Wasn’t there someone, anyone, in the borough of Manhattan who might have decent help she could borrow to wait a party? A party for ten friggin’ people! That was nothing. How hard could it be?

She debated. Her sister?

Nope. She wasn’t invited.

Sally from the club?

Nope. Out of town. And a bitch, to boot.

Morgynn had slowed and Claire was aware of her daughter turning around. Had she dropped something? Apparently so. She ran back to pick it up.

Better not be her phone. She’d already broken one. The screen had cost $187 to fix.

Honestly. Children.

Then Claire was back to scrolling, praying for waitperson salvation. Look at all these names. Need to clean out this damn contact list. Don’t know half these people. Don’t like a good chunk of the rest. Off went another beseeching message.

The child returned to her side and said firmly, “Mommy, look—”

“Ssssh.” Hissing now. But there was nothing wrong with an edge occasionally, of course, she told herself. It was a form of education. Children had to learn. Even the cutest of puppies needed collar-jerk correction from time to time.

Another ding of iPhone.

Another no.

Goddamn it.

Well, what about that woman that Terri from the office had used? Hispanic, or Latino . . . Latina. Whatever those people called themselves now. The cheerful woman had been the star of Terri’s daughter’s graduation party.

Claire found Terri’s number and dialed a voice call.

“Hello?”

“Terri! It’s Claire. How are you?”

A hesitation then Terri said, “Hi, there. How’re you doing?”

“I’m—”

At which point Morgynn interrupted yet again. “Mommy!”

Snap. Claire spun around and glared down at the petite blonde, hair in braids, wearing a snug pink leather Armani Junior jacket. She raged, “I am on the phone! Are you blind? What have I told you about that? When I’m on the phone? What is so f—” Okay, watch the language, she told herself. Claire offered a labored smile. “What’s so . . . important, dear?”

“I’m trying to tell you. This man back there?” The girl nodded up the street. “He came up to another man and hit him or something and pushed him in the trunk.”

“What?”

Morgynn tossed a braid, which ended in a tiny bunny clip, off her shoulder. “He left this on the ground and then drove away. She held up a cord or thin rope. What was it?

Claire gasped. In her daughter’s petite hand was a miniature hangman’s noose.

Morgynn replied, “That’s what’s so—” She paused and her tiny lips curled into a smile of their own. “Important.”

– – – –

“Greenland.”

Lincoln Rhyme was staring out of the parlor window of his Central Park West townhouse. Two objects were in his immediate field of vision: a complicated Hewlett-Packard gas chromatograph and, outside the large nineteenth-century window, a peregrine falcon. The predatory birds were not uncommon in the city, where prey was plentiful. It was rare, however, for them to nest so low. Rhyme, as unsentimental as any scientist could be—especially the criminal forensic scientist that he was—nonetheless took a curious comfort in the creatures’ presence. Over the years he’d shared his abode with a number of generations of peregrines. Mom was here at the moment, a glorious thing, sumptuously feathered in brown and gray, with beak and claws that glistened like gun metal.

A man’s calm, humorous voice filled the silence. “No. You and Amelia cannot go to Greenland.”

“Why not?” Rhyme asked Thom Reston, an edge to his voice. The slim but sturdy man had been his caregiver for about as long as the line of falcons had resided outside the old structure. A quadriplegic, Rhyme was largely paralyzed south of his shoulders, and Thom was his arms and legs and considerably more. He had been fired as often as he’d quit but here he was and, both knew in their hearts, here he would remain.

“Because you need to go someplace romantic. Florida, California.”

“Cliché, cliché, cliché. Might as well go to Niagara Falls.” Rhyme scowled.

“What’s wrong with that?”

“I’m not even responding.”

“What does Amelia say?”

“She left it up to me. Which was irritating. Doesn’t she know I have better things to think about?”

“You mentioned the Bahamas recently. You wanted to go back, you said.”

“That was true at the time. It’s not true any longer. Can’t one change one’s mind? Hardly a crime.”

“What’s the real reason for Greenland?”

Rhyme’s face—with its prominent nose and eyes like pistol muzzles—was predatory in its own right, much like the bird’s.
“What do you mean by that?”

“Could it be that there’s a practical reason you want to go to Greenland, a professional reason? A useful reason?”

Rhyme glanced at the single-malt Scotch bottle sitting just out of reach. He was largely paralyzed, yes. But surgery and daily exercise had returned to him some ability to move his right arm and hand. Fate had helped too. The beam that had tumbled upon his neck from a crime scene many years ago had severed and crushed many nerves had left a few outlying strands intact, if injured and confused. He could grasp objects—like single-malt Scotch bottles, to pick a random example—but he could not rise from his complex wheelchair to fetch them if Thom, playing nursemaid, kept them out of Goddamn reach.

“Not cocktail hour yet,” the aide announced, noting the arc of his boss’s vision. “So, Greenland? ’Fess up.”

“It’s underrated. Named ‘Greenland’ while much of it’s barren. Not the least verdant. Compare Iceland. Quite green. I like the irony.”

“You’re not answering.”

Rhyme sighed. He disliked being transparent and hugely disliked being caught being transparent. He would appeal to truth. “It seems that the Rigspolitiet, the Danish police, have been doing rather important research into a new system of horticultural spectrographic analysis. A lab in Nuuk. That’s the capital, by the way. You can situate a sample in a much narrower geographic area than with standard systems.” Rhyme’s brows rose involuntarily. “Nearly the cellular level. Imagine! We think all plants are the same—”

“Not a sin of mine.”

Rhyme groused, “You know what I mean. This new technique can narrow down a target area to three meters!” He repeated, “Imagine.”

“I’m trying to. Greenland—no. And has Amelia actually deferred to you?”

“She will. When I tell her about the spectrograph.”

“How about England? She’d love that. Is that show on still, the one she likes? Top Gear? I think the original is off the air but I heard there’s a new version. She’d be great on it. They let people go out on the race track. She’s always talking about driving a hundred and eighty miles an hour on the wrong side of the road.”

“England?” Rhyme mocked. “You’ve just lost your argument. Greenland and England offer the same degree of romance.”

“You’ll find some disagreement there.”

“Not from the Greenlanders.”

Lincoln Rhyme did not travel much. The practical consequences of his disability added a layer of complication to journeys but physically, his doctors reported, there was no reason not to hit the road. His lungs were fine—he’d weaned himself off a ventilator years ago, the chest scar present but not prominent—and as long as such matters as the piss ’n’ shit details—his words—and low-chafing clothing were attended to, there was little chance of being afflicted by the quad’s bane: autonomic dysreflexia. A good portion of the world was disabled accessible now—with most enterprises, from restaurants to bars to museums, offering ramps and special restrooms. (Rhyme and Sachs had shared a smile when Thom pointed out an article in the paper about a school that had recently installed a disabled ramp and bathroom; the place taught only one thing: tap dancing.)

No, much of Rhyme’s reluctance to travel and his reclusiveness were simply because he was, well, a recluse. By nature. Working in his laboratory—the parlor here, filled with equipment and—teaching and writing for scientific journals appealed to him far more than tired sights polished for tourists.

But, given what was on his and Sachs’s agenda in the next few weeks, a trip outside of Manhattan was necessary; even he admitted that one could not honeymoon in one’s own home town.

Plans for trips to labs specializing in horticultural spectrometry, or locales of wooing romance, were, though, put on hold for the moment; the door buzzer sounded. Rhyme glanced at the security video and thought: Well.

Thom rose and returned a moment later with a middle-aged man in a camel-tan suit, which he might have slept in, though he probably hadn’t. He moved slowly but with little hesitation, and Rhyme thought that pretty soon he’d be able to discard the cane, which was, however, a pretty nifty accessory. Black with a silver head in the shape of an eagle.

The man looked around the lab. “Quiet.”

“Is. A few small private jobs recently. Nothing fun. Nothing exciting. Nothing since the Steel Kiss killer.”

A recent perpetrator had taken to sabotaging household items and public conveyances—with tragic and occasionally gruesome results.

NYPD Detective Lon Sellitto, in the Major Cases division, had been Rhyme’s partner—before Rhyme had moved up to captain and taken over the crime scene unit. Nowadays, Sellitto would occasionally hire Rhyme to consult on cases in which special forensic expertise was needed.

“What’re you looking at? Brown is all I had.” Sellitto waved toward his suit.

“Daydreaming,” Rhyme said. “I wasn’t looking at anything.”

Not true, but he hadn’t been regarding either the curious color of or the savage wrinkles in the suit. He was noting, with satisfaction, that Sellitto was recovering well following the attack on him by poison, which had caused major nerve and muscle damage—hence, the cane. While the detective was always fighting his weight, Rhyme thought he looked better on the portly side, like now. The sight of a gaunt, gray Lon Sellitto had been alarming.

“Where’s Amelia?”

“In court. Testifying in the Gordon case. On the calendar first thing. Should be over with soon. Then she was going shopping. For our trip.”

“Buying herself a trousseau? What is that anyway?”

Rhyme had no idea. “Something about weddings, clothing. I don’t know. But she’s got a dress already. Something frilly. Blue. Or maybe pink. Today, she’s shopping for me. What’s so Goddamn funny, Lon?”

“Picturing you in a tuxedo.”

“Just sweats and a shirt. Maybe a tie. I don’t know.”

“And you didn’t complain?”

True, Rhyme had little patience for what he considered affectation. But this occasion was different. For all her edge and edginess and her need of speed and blunt firearms, her passion for tactical solutions, Sachs had a splinter of teen girl within her and she was enjoying the game of wedding planning. This included shopping for a whatever-the-hell-it-was trousseau and a romantic honeymoon, and, if that pleased her, by God, Rhyme was more than happy to accommodate.

Though he really hoped he could convince her about Greenland.

“Well, tell her to shop later. I need her to run a scene. We’ve got a situation.”

A ping resounded within Rhyme the way a submarine’s sonar detects something unexpected off the port bow.

He texted Sachs and received no response. “Maybe on the stand, testifying. Tell me more.”

Thom appeared in the doorway—Rhyme hadn’t realized he’d left. The aide said, “Lon, coffee? Cookies? I’ve been baking. I’ve got a couple of different kinds. One is—”

“Yes, yes, yes.” It was Rhyme answering. “Bring him something. Make a decision yourself. I want to hear his story.”

Situation . . .

“Proceed,” he told Sellitto.

“Anything chocolate,” Sellitto called to Thom’s back.

“Easily arranged.”

“Kidnapping, Linc. Upper East Side. Apparently one male snatched another.”

“Apparently? What requires interpretation?”

“The only wit was nine years old.”

“Ah.”

“Perp grabs vic, tosses him into a trunk. Takes off.”

“The girl is sure about this? Not a figment of her over-active little imagination, stoked by watching too much television, ruining her thumbs on video games, reading too many Hello Pony stories?”

“Hello Kitty. Ponies are a different book.”

“Did Mommy or Daddy Confirm?”

“Morgynn, the girl, was the only one who saw. But I think it’s legit. She found a calling card he’d left behind.” Sellitto held up his phone and displayed a photo.

At first Rhyme couldn’t make out the image. It was a picture of a dark shape, thin, lying on a sidewalk.

“It’s a—”

Rhyme interrupted. “Noose.”

“Yup.”

“Made out of?”

“Not sure. Girl said he set it on the spot where he got the vic. She picked it up but the responding set it back in the same place he’d left it, more or less.”

“Great. I’ve never worked a scene contaminated by a nine-year-old.”

“Relax, Linc. All she did was pick it up. And the responding wore gloves. Scene’s secure, waiting for somebody to run it. Somebody, as in Amelia.”

The noose was made out of dark material, which was stiff, since segments were not flush with the pavement, as would be the case with more limp fibers. From the size of the poured-concrete sidewalk panel, the noose was about twelve to fourteen Inches long in total, the neck hoop about a third of that.

“The wit’s still on scene. With Mommy. Who isn’t very happy.”

Neither was Rhyme. All they had to go on was a nine-year-old schoolgirl with the observational skills and perception of a . . . well, nine-year-old schoolgirl.

“This vic? Rich, politically active, connected with OC, record?”

Sellitto said, “No ID yet. Nobody reported missing. A few minutes after the snatch somebody saw a phone fly outa a car—dark sedan, nothing more. Third Avenue. Dellray’s boys’re running it. We find out who, we find out why. Business deal gone bad, vic has information somebody wants, or the old standby. For-profit ransom.”

“Or it’s a psycho. There was the noose, after all.”

“Yeah,” Sellitto said, “and the vic just happened to be WTWP.”

“What?”

“Wrong time, wrong place.”

Rhyme scowled once more. “Lon?”

“It’s going around the department.”

“Flu viruses—not viri, by the way—go around the department. Idiotic expressions do not. Or should not, at least.”

Sellitto used the cane to rise to his feet and aimed his bulky form toward the tray of cookies that Thom was setting down, like a Realtor seducing prospective buyers at a condominium open house. He ate one, then two, then another, nodded approval. He poured himself a cup of coffee from a silver pitcher and spilled in sweetener, his concession to the battle against calories being to sacrifice refined sugar to pastry.

“Good,” he announced through a mouthful of cookie. “You want one? Some coffee?”

The criminalist’s eyes swiveled instinctively toward the Glenmorangie, sitting golden and alluring on the high shelf.
But Lincoln Rhyme decided: No. He wanted his faculties about him. He had a feeling that the girl’s observations were all too accurate, that the kidnapping had occurred just as she had described it and that the macabre calling card was a taunting message of a death soon to be.

And perhaps more after that.

He texted Amelia Sachs once again.

– – – –

© 2016 Gunner Publications LLC