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The Bodies Left Behind Excerpt

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Silence.

The woods around Lake Mondac were as quiet as could be, a world of difference from the churning, chaotic city where the couple spent their weekdays.

Silence, broken only by an occasional a-hoo-ah of a distant bird, the hollow siren of a frog.

And now: another sound.

A shuffle of leaves, two impatient snaps of branch or twig.

Footsteps?

No, that couldn’t be. The other vacation houses beside the lake were deserted on this cool Friday afternoon in April.

Emma Feldman, in her early thirties, set down her martini on the kitchen table, where she sat across from her husband. She tucked a strand of curly black hair behind her ear and walked to one of the grimy kitchen windows. She saw nothing but dense clusters of cedar, juniper and black spruce rising up a steep hill, whose rocks resembled cracked yellow bone.

Her husband lifted an eyebrow. “What was it?”

She shrugged and returned to her chair. “I don’t know. Didn’t see anything.”

Outside, silence again.

Emma, lean as any stark, white birch outside one of the many windows of the vacation house, shook off her blue jacket. She was wearing the matching skirt and a white blouse. Lawyer clothes. Hair in a bun. Lawyer hair. Stockings but shoeless.

Steven, turning his attention to the bar, had abandoned his jacket as well, and a wrinkly  striped tie. The thirty-six-year-old, with a full head of unruly hair, was in a blue shirt and his belly protruded inexorably over the belt of his navy slacks. Emma didn’t care; she thought he was cute and always would.

“And look what I got,” he said, nodding toward the upstairs guest room and unbagging a large bottle of pulpy organic vegetable juice. Their friend, visiting from Chicago this weekend, had been flirting with liquid diets lately, drinking the most disgusting things.

Emma read the ingredients and wrinkled her nose. “It’s all hers. I’ll stick with vodka.”

“Why I love you.”

The house creaked, as it often did. The place was 76 years old. It featured an abundance of wood and a scarcity of steel and stone. The kitchen, where they stood, was angular and paneled in glowing yellow pine. The floor was lumpy. The colonial structure was one of three houses on this private road, each squatting on ten acres. It could be called lakefront property but only because the lake lapped at a rocky shore two hundred yards from the front door.

The house was plopped down in a small clearing on the east side of a substantial elevation. Midwest reserve kept people from labeling these hills “mountains” here in Wisconsin, though it rose easily 700 or 800 feet into the air. Presently the big house was bathed in blue late-afternoon.

Emma gazed out at rippling Lake Mondac, far enough from the hill to catch some descending sun. Now, in early spring, the surrounding area was scruffy, reminding of wet hackles rising from a guard dog’s back. The house was much nicer than they could otherwise afford—they’d bought it through foreclosure—and she knew from the moment she’d seen it that this was the perfect vacation house.

Silence. . . .

The colonial also had a pretty colorful history.

The owner of a big meatpacking company in Chicago had built the place before World War Two. It was discovered years later that much of his fortune had come from selling black-market meat, circumventing the rationing system that limited foods here at home to make sure the troops were nourished. In 1956 the man’s body was found floating in the lake; he was possibly the victim of veterans who’d had learned of his scheme and killed him, then searched the house, looking for the illicit cash he’d hidden here.

No ghosts figured in any version of the death, though Emma and Steven couldn’t keep from embellishing. When guests were staying here they’d gleefully take note of who kept the bathroom lights on and who braved the dark after hearing the tales.

Two more snaps outside. Then a third.

Emma frowned. “You hear that? Again, that sound. Outside.”

Steven glanced out the window. The breeze kicked up now and then. He turned back.

Her eyes strayed to her briefcase.

“Caught that,” he said, chiding.

“What?”

“Don’t even think about opening it.”

She laughed, though without much humor.

“Work-free weekend,” he said. “We agreed.”

“And what’s in there?” she asked, nodding at the backpack he carried in lieu of an attaché case. Emma was wrestling the lid off a jar of cocktail olives.

“Only two things of relevance, Your Honor: my le Carré novel and that bottle of Merlot I had at work. Shall I introduce the latter into evid . . .” Voice fading. He looked to the window, through which they could see a tangle of weeds and trees and branches and rocks the color of dinosaur bones.

Emma too glanced outside.

That I heard,” he said. He refreshed his wife’s martini. She dropped olives into both drinks.

“What was it?”

“Remember that bear?”

“He didn’t come up to the house.” They tinked glasses and sipped clear liquor.

Steven said, “You seem preoccupied. What’s up? The union case?”

Research for a corporate acquisition had revealed some possible shenanigans within the lakefront workers union in Milwaukee. The government had become involved and the acquisition was temporarily tabled, which nobody was very happy about.

But she said, “This’s something else. One of our clients makes car parts.”

“Right. Kenosha Auto. See, I do listen.”

She looked at her husband with an astonished glance. “Well, the CEO, turns out, is an absolute prick.” She explained about a wrongful death case involving components of a hybrid car engine: a freak accident, a passenger electrocuted. “The head of their R&D department . . . why, he demanded I return all the technical files. Imagine that.”

Steven said, “I liked your other case better—that state representative’s last will and testament . . . the sex stuff.”

“Shhhh,” she said, alarmed. “Remember, I never said a word about it.”

“My lips are sealed.”

Emma speared an olive and ate it. “And how was your day?”

Steven laughed. “Please . . . I don’t make enough to talk about business after hours.” The Feldmans were a shining example of a blind date gone right, despite the odds. Emma, a U of W law school valedictorian, daughter of Milwaukee/Chicago money; Steven, a city college B.A. from the Brewline, intent on helping society. Their friends gave them six months, top; the Door County wedding, to which all those friends were invited, was exactly eight months after their first date.

Steven pulled a triangle of brie out of a shopping bag. Found crackers and opened them.

“Oh, okay. Just a little.”

Snap, snap . . .

Her husband frowned. Emma said, “Honey, it’s freaking me a little. That was footsteps.”

The three vacation houses here were eight or nine miles from the nearest shop or gas station and a little over a mile from the county highway, which was accessed via a strip of dirt poorly impersonating a road. Marquette State Park, the biggest in the Wisconsin system, swallowed most of the land in the area; Lake Mondac and these houses made up an enclave of private property.

Very private.

And very deserted.

Steven walked into the utility room, pulled aside the limp beige curtain and gazed past a cut-back crepe myrtle into the side yard. “Nothing. I’m thinking we—”

Emma screamed.

“Honey, honey, honey!” her husband cried.

The face studied them through the back window. The man’s head was covered with a stocking, though you could see crew-cut, blondish hair, a colorful tattoo on his neck. The eyes were halfway surprised to see people so close. He wore an olive-drab combat jacket. He knocked on the glass with one hand. In the other he was holding a shotgun, muzzle up. He was smiling eerily.

“Oh, God,” Emma whispered.

Steven pulled out his cell phone, flipped it open and punched numbers, telling her, “I’ll deal with him. Go lock the front door.”

Emma ran to the entryway, dropping her glass. The olives spun amid the dancing shards, picking up dust. Crying out, she heard the kitchen door splinter inward. She looked back and saw the intruder with the shotgun rip the phone from her husband’s hand and shove him against the wall. A print of an old sepia landscape photograph crashed to the floor.

The front door too swung open. A second man, his head also covered with mesh, pushed inside. He had long dark hair, pressed close by the nylon. Taller and stockier than the first, he held a pistol. The black gun was small in his outsized hand. He pushed Emma into the kitchen, where the other man tossed him the cell phone. The bigger one stiffened at the pitch, but caught the phone one-handed. He seemed to grimace in irritation, from the juvenile toss, and dropped the phone in his pocket.

Steven said, “Please . . . What do you . . .?” Voice quavering.

Emma looked away quickly. The less she saw, she was thinking, the better their chances to survive.

“Please,” Steven said, “Please. You can take whatever you want. Just leave us. Please.”

Emma stared at the dark pistol in the taller man’s hand. He wore a black leather jacket and boots. His were like the other man’s, the kind soldiers wear.

Both men grew oblivious to the couple. They looked around the house.

Emma’s husband continued, “Look, you can have whatever you want. We’ve got a Mercedes outside. I’ll get the keys. You—”

“Just, don’t talk,” the taller man said, gesturing with the pistol.

“We have money. And credit cards. Debit card too. I’ll give you the PIN.”

“What do you want?” Emma asked, crying.

“Shhh.”

Somewhere, in its ancient heart, the house creaked once more.

The Bodies Left Behind Reviews

Best Thriller Of The Year award
—International Thriller Writers Organization

“After stumbling onto a grisly murder, Deputy Brynn McKenzie flees into the Wisconsin woods with killers on her trail. Movie Pitch: Fargo meets The Searchers. Lowdown: The battle of wits between Brynn and the hitman gets so intimate it’s almost romantic. A-”
— Entertainment Weekly

“The place: A secluded house in a forest in the boonies of Wisconsin during the off-season. The case: A young lawyer working on a sensitive union case and her social worker husband are getting away from it all for the weekend when two men, faces covered in mesh, burst into the house. The social worker begs: “Look, you can have whatever you want. We’ve got a Mercedes outside. I’ll get the keys.” His pleas do no good, but his one-word 911 call alerts a policewoman. Food pairing: Bratwurst and beer. Brings to mind: An endlessly twisty episode of Law & Order. The verdict: Jeffery Deaver plays gotcha with readers so many times you begin to anticipate his tricks, but the biggest twist of all, you’ll never see coming. Very engrossing story.”
— Fort Worth Star-Telegram

“What’s this? A Jeffery Deaver novel with no mad-dog serial killer and no state-of-the-art technology to track his moves? Pinch me. But THE BODIES LEFT BEHIND is no dream, only a different kind of nightmare — the elemental one of being hunted down in the wild like an animal. Brynn McKenzie, a sheriff’s deputy in rugged Kennesha County, Wis., lands in this trap when she finds a high-­powered lawyer and her social-worker husband shot to death in their isolated vacation house and their terrified guest, a chic city dweller named Michelle, cowering in the woods in her spike-heeled boots. Saddled with Michelle (“I’m really an actress”), Brynn is at a big disadvantage against two heavily armed hit men, hellbent on eliminating the only witness to the slaughter. Yet the resourceful deputy manages to make this a dead-even match, winning the creepy admiration of the lead killer. The meticulously structured plot moves back and forth between hunter and hunted, covering a big stretch of wild country. But although some of the near-miss encounters seem arbitrary, this is still a thrill-a-minute wilder­ness adventure.”
— New York Times

Roadside Crosses Excerpt

Out of place.

The California Highway Patrol trooper, young with bristly yellow hair beneath his crisp hat, squinted through the windshield of his Crown Victoria Police Interceptor as he cruised south along Highway 1 in Monterey. Dunes to the right, modest commercial sprawl to the left.

Something was out of place. What?

Heading home at 5:00 p.m. after his tour had ended, he surveyed the road. The trooper didn’t write a lot of tickets here, leaving that to the county deputies — professional courtesy — but he occasionally lit up somebody in a German or Italian car if he was in a mood, and this was the route he often took home at this time of day, so he knew the highway pretty well.

There . . . that was it. Something colorful, a quarter mile ahead, sat by the side of the road, sitting at the base of one of the hills of sand that cut off the view of Monterey Bay.

What could it be?

He hit his light bar — protocol — and pulled over onto the right shoulder. He parked with the hood of the Crown Vic pointed leftward toward traffic, so a rear-ender would shove the car away from, not over him, and climbed out. Stuck in the sand just beyond the shoulder was a cross — a roadside memorial. It was about eighteen inches high and homemade, cobbled together out of dark, broken-off branches, bound with wire like florists use. Dark red roses sat in a splashy bouquet at the base. A cardboard disk was in the center, the date of the accident written on it in blue ink. There were no names on the front or back.

Officially these memorials to traffic accident victims were discouraged, since people were occasionally injured, even themselves killed, planting a cross or leaving flowers or stuffed animals.

Usually the memorials were tasteful and poignant. This one was spooky.

What was odd, though, was that he couldn’t remember any accidents along here. In fact this was one of the safest stretches of Highway 1 in California. The roadway becomes an obstacle course south of Carmel, like that spot of a really sad accident several weeks ago: two girls killed coming back from a graduation party. But here, the highway was three lanes and mostly straight, with occasional lazy bends through the old Fort Ord grounds, now a college, and the shopping districts.

The trooper thought about removing the cross, but the mourners might return to leave another one and endanger themselves again. Best just to leave it. Out of curiosity he’d check with his sergeant in the morning and find out what had happened. The trooper walked back to his car, tossed his hat on the seat and rubbed his crew cut. He pulled back into traffic, his mind no longer on roadside accidents. He was thinking about what his wife would be making for supper, about taking the kids to the pool afterward.

And when was his brother coming to town? He looked at the date window on his watch. He frowned. Was that right? A glance at his cell phone confirmed that, yes, today was June 25.

That was curious. Whoever had left the roadside cross had made a mistake. He remembered that the date crudely written on the cardboard disk was June 26, Tuesday, tomorrow.

Maybe the poor mourners who’d left the memorial had been so upset they’d jotted the date down wrong.

Then the images of the eerie cross faded, though they didn’t vanish completely and, as the officer headed down the highway home, he drove a bit more carefully.

#  #  #

Roadside Crosses Reviews

“I gave Jeffery Deaver’s latest a read and found it to be a fast-paced, gripping tale, with lots of twists and turns.”
— Pennie’s Picks, Costco Connection magazine

“Of all the beasts on the prowl, none is more unnerving than a disaffected teenage boy with a grudge and a gun. Leaving to others the in-depth psychological analysis of such youthful spree killers, Jeffery Deaver turns his attention in ROADSIDE CROSSES to the social triggers that set them off. …the techno-savvy Deaver is too much the master gamesman to scold anyone else for a little excessive play, and in some brilliant plot maneuvers he counters every warning about warrior bloggers and glassy-eyed gamers with well-reasoned arguments in their defense — and real doubts about their proclivity to commit murder. Like his best players, he has one of those puzzle-loving minds you just can’t trust.”
— Marilyn Stasio, New York Times

“ROADSIDE CROSSES is a gripping story peopled with memorable characters. No surprise. Jeffery Deaver is grand master of the ticking-clock thriller.”
— author Kathy Reichs

“Deaver’s expert and devious plotting makes it a challenge to stay only a couple of steps behind him”
Publishers Weekly

“Tightly constructed with a suspenseful story and plenty of plot twists, Deaver, perhaps more than any other crime writer, is able to fool even the most experienced readers with his right-angle turns . . . an excellent entry in what promises to be a series as popular as the author’s Lincoln Rhyme novels.”
— Booklist

“Deaver is one of the best thriller writers at incorporating the latest technology into his plots, and he’s got the world of social networking and blogs down cold, from the flame wars to the lingo to the dysfunctional personality types. That dose of realism adds a fresh, contemporary edge to the story. Deaver puts the emphasis in his books on intricate plot twists rather than breakneck pacing, which makes Roadside Crosses the perfect book for a quiet summer afternoon where a little relaxation—accompanied, naturally, by a jolt of suspense—is the order of the day.”
— David Montgomery, TheDailyBeast.com

One Of The Notable Crime Books of 2009
— Marilyn Stasio, New York Times